There are so many different factors in relation to what the frequency response of your speaker is, let alone how it reacts to the mics and the environment you’re playing in, and every single speaker, room and mic combination in Amplitube 5 encompasses all of it. The folks at IK Multimedia captured around 600 different impulse responses per speaker to achieve the most 3D sound I’ve heard in a VST to date. The one reason that players like myself have stayed clear of modeling in the past is though the sound was quite close to the real deal, there was still mojo missing in comparison to the amp being played in a live room. Amplitube 5 V.I.R screenīefore I dive in to tell you about my first chords through Amplitube 5, I want to explain their whole new Volumetric Impulse Response, or V.I.R technology, which captures every nuance of the cabs and heads. Click your “cab” icon and you won’t just see some speakers with mics, but an entire virtual room with interchangeable room mics, room types and even some different speakers if you want to do a swap mid-session. All the mainstays of your rig are accessible from the signal chain, which are displayed as its correct icon instead of an ambiguous title that previous versions of Amplitube had. All the knobs and parameters fit the model of the amps that they correspond to, giving it the feel as if they were a part of your own amp locker. You don’t have to scroll through arduous menus and folders to find a piece of gear that you’re looking for, it’s just right there. I greatly appreciated that all the gear is visible in front of me as if I had just walked through the doors of a guitar playing producer’s heaven. Now, like a lot of you, I’m a very visual person, especially in the studio. Upon first look, you’ll see a new, user friendly layout of three different windows: your gear window (where you’ll see an amp loaded up at default), the signal chain, and a virtual gear locker.
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